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Creating a Powerful Moment
by Stefan Baumann

I have recently toured lecturing on The power to Create, which is an incredible two-hour conversation on what it is like to be an artist and how does one create art? The audience seemed to be moved by what was discussed, and what a difference this conversation has had on their lives. This overwhelms me!

After one of the lectures, I came home and assessed a painting on my easel.

I started the painting “Storm in Aspen” as a Plein Air piece of Maroon Bells, Colorado. It depicted a fine day at the lake with little to do with what I completed in my studio.

Stefan  Baumann -  Storm in Aspen
The sky was a typical azure hue; the foreground festooned with pretty lavender flowers and the lush marsh served as a verdant backdrop. I produced a nice painting, but it’s BORING!! I often look at paintings done on location, and find I’m longing for more emotions from the artist. Growing up in South Lake Tahoe, I remember my favorite days were before a storm hit, and the winds would gust and the skies darken. Rays of brilliant light beamed from the heavens as if God is pointing lovingly at His divine creation.
Stefan  Baumann -  Storm in Aspen
I ask myself these questions: How can a landscape image suggest depth once it has been realized in strokes that are as flat and opaque as the surface that supports them?
How can I grasp what moves me when I’m not inspired? Can I paint the same theme over and over and not get tired with it? And finally: Where am I in all of this?

A canvas should be considered as an arena where the artist is invited inside it. There the artist is encouraged not just to recreate, but also to cook from scratch! Inviting the painter to fashion from within, and not record what’s in front like a camera. To put your soul into it. Now, harmony and drawing should not be denied, but rather displaced, absorbed into another level of work – that of jester. The painting should no longer be executed; it should be invented.

Stefan  Baumann -  Storm in Aspen

Instead of an artist just painting what is in front of him, rendering stroke by stroke, mechanically; the painter should use gesturing of hand, capturing the moment, wind and light. He should stay clear from his notions that art is a structured skill needing to be a certain way and shifting from object to creator. Thus, the painter becomes the triumphant fusion of humanity and the vast unbridled forces of nature, striking a visual statement.

Stefan  Baumann -  Storm in Aspen

If you would like to attend a free lecture on The Power To Create, or if you prefer Stefan Baumann to visit your art group please contact him at Baumann@thegrandview.org , or visit his website at www.thegrandview.org for dates, locations, and details.



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