Outdoor Painting
Home History Gallery Articles Mission Resources Museum Workshops Contact Register
 


Articles

 
2½ Months On & Off Road
Art Ethics 101
Artist Block
Artist Tools
Atmospheric Perspective
Battling The Bulge
Baumann's Top 10
Brushstrokes
Character
Color
Conversation With Nature
Creating Large Scale Painting and The 7 “P”s
Creative Path
Drawing
Extra Mile
Four Basic types Lighting
Geometric Planes
Getting Organized
Golden Mean
GREEN and How to Mix It
Greatness In Art
Honing Your Craft: Brush
Honing Your Craft: Value
Impasto Techniques
Integrity
It’s all in the Wrist
Keeping Energy in Large
MT. Whitney NAT'L Park
More about Edges & Comp
New Year, New Beginnings
Outdoor Painter's Library
Painting What You See
Plein and simple
Portfolio Review -Tips
Practice
Principles of Design
Seeing Clean Color
Sketching on Location
Taking Chances
The Creative Process
The Idea
Travel Light-Flying High
Travel Light-Road Trips
Values
Watercolor
What is Art?
What “It” is.
What To Ask Of A Gallery
Why Paint Small?

Demos
Adobe Garden Demo
Armand Cabrera Demo

Charles Muench Demo


How to Paint Rushing Water


James Gurney Demo


Kenn Backhaus Demo


Painting Seascapes

Making Your Own Panels

Photographing Your Work

Sierra Ram Demo


Tractor Painting Demo


Vernal Falls Demo


Observation of Nature

Camera vs.sketching


Creating a Powerful Moment


Discovering An Extraordinary Life

Joshua Tree Nat’l Park
Light & Shadow
Nevada Falls
Painting Nostalgia
Spring Arrives Under...
Point Lobos
The Essential Element
   
   
Outdoorpainting.com
asked our readers…
Color & Values
How can I Match ...
Favorite instr. art book
Books & Info
  Book Notes- Nov.2006
  Book Notes
  Stocking Stuffers
   
  Newsletter Archive
 

WHY PAINT SMALL?
by Armand Cabrera

Armand Cabrera
Red Roses - 8x6 Oil

Working in a small format is the best way to break painting down to its essentials. Painting 7” x 9” or smaller forces the focus on what’s important. It also limits your ability to paint too much unnecessary detail. You’ll find this especially true when using a large brush on a small canvas.

I recommend to my beginner students to start small, then work their way to larger canvases after they’ve mastered painting the smaller format. Regrettably, I see too many artists’ prematurely painting large-sized canvases outdoors---often with mediocre results.

Try painting small canvases with no smaller than a # 8 bristle brush---or even a palette knife. Painting small forces you to simplify the elements of your canvas and teaches you how to handle a brush properly.

In addition, painting small can be a valuable design tool. I find that painting a small piece onsite assures my success in painting a larger version outside. Sometimes I’ll do a number of them to experiment with different designs, color combinations or value plans.

Small canvases also allow testing with elements like paint thickness and brush calligraphy. The small scale is more manageable than on a larger piece. Little paintings also offer a chance to capture effects that you would never attempt otherwise. Painting the setting sun or rising moon is easier to accomplish when you only have a 6” x 8” surface to cover.

Another benefit of painting small outside is your reduction in gear. Small painting equipment is lighter and that translates into more energy for painting and less energy wasted on hauling your gear. Additionally, it’s easier to keep a 6” x 8” kit at the ready in the car so you can paint whenever you see a landscape that catches your eye. Remember, cold and hot weather need not deter you from painting. With a small box, you can stay in your vehicle and paint!

You’ll find many small paint boxes on the market---or try making one yourself from a cigar box and about $20 worth of hardware. For ready-made paint box sources, try these vendors:

www.artworkessentials.com
www.openboxm.com




Copyright ©
2003. OutdoorPainting.com
Privacy Policy
Design by: W3-studio